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Your First Costume
by Karima Nadira
OK, so you're not quite ready
to perform, but those glitzy costumes have been catching
your eye?
Any of the following sound familiar?
* You've been to a few shows and seen some gorgeous
costumes!
* Your friend/relative/work associate has suggested
you dance for someone's upcoming birthday, but you
don't have a thing to wear!
* You're dying to see what you look like in lots of
glitter!
* You've come up with a little routine to a song you
like and are actually thinking of performing it somehow,
somewhere. And, really, if you practiced a bit more,
you just *might* be ready to shake your hips
for family, friends, or other dancers.
So maybe now is the time to put some thought into
acquiring a starter dance outfit without having to
scramble for one when you are ready.......
The short history of Middle Eastern Dance costuming:
This topic would require at least several books, but
suffice it to say, that the people of the cultures
where this dance comes from generally party in their
regular party clothes (like you do when you go to
cousin Jane's wedding). The type of costuming now
popular in nightclubs is mostly a result of Hollywood
fantasy orientalism adopted by stage performers in
the early 1900's and since, both over here and overseas.
So all the glitz, the 2 piece costumes, the slits,
and, now that the Middle Eastern costume designers
have discovered spandex and "sheer illusion",
whatever their creative minds can dream up, is accepted
world- wide as the costume for this dance. Variations
on the glitzy nightclub costume exist among the American
Tribal (an American-invented version of Middle Eastern
dance) dancers, who use ethnic, or ethnic-looking,
fabrics and jewelry from countries as disparate as
Afghanistan, Tunisia, Ethiopia, India, and Armenia
and mix them all up in a colorful, but less glitzy,
totally invented look.
So where do you start?
First, it pays to be realistic. How often do you expect
to be performing initially? If only occasionally,
you may not be ready to lay out the $400-$1000 for
a professional costume just yet. How can you put together
something that will have you looking good without
blowing your budget?
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Easy to make!

Basic costume

$40 dresses

Silver bedlah - goes
with lots of colors

Professional costumes
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The hip scarf: The
first costume piece most of us acquire in Middle Eastern
dance is the hip scarf. Since you're likely to already
have a hip scarf (or 2 or 3), that's a good place
to start. Hip scarves are endlessly useful costume
pieces, since just tying one around your hips makes
anything you wear into a costume. ;-)
Very basic costume:
1 long skirt (circle, straight, other), 1 leotard
or choli (short or long sleeved), and 1 hip scarf.
I have seen this combination, in the right colors,
make some dancers look better than dancers in $800
costumes (more on that later). And the best thing
about it is you may already own some or all of these
items if you dig around in your closet. Another advantage
to this basic costume is that if you want to team
up with a friend to do a duet, it will not be difficult
or expensive for you to look coordinated.
One important additional item: dance
underwear, or white or color-matched full coverage
underwear, to wear under your skirt for those turns
when your skirt flies up (or when the wind blows it,
out of doors). You can also acquire or make a pair
of harem pants to wear under your skirt for a more
modest look (my preference for circle skirts). Veils
are very easy to make (3- 31/2 yards of lightweight
fabric, edge hemmed), and they make great coverups
for before & after your performance.
You may find this basic costume more than adequate
for quite a while, and biding your time will help
you decide what your next costume acquisitions might
be.
Want something glitzier? Believe
it or not, check all the department stores & boutiques
especially after the winter holiday season when they
are unloading their glitzy holiday party selections.
There are some very usable gowns, skirts & tops
out there at bargain prices that would make fine dance
costumes. Current fashion trends have actually been
very helpful, since many of the skirts around now
already have the drop waist and will need little or
no alteration.
Just make sure when you try on off the rack garments
that they will allow for movement-I usually go through
a series of dance moves in the dressing room to see
how the fabric behaves and make sure nothing is binding.
Some off the rack pieces I've used with best success
are: fully beaded evening dresses (for $40-80!), crop
tops (lots of them this season already have sequins
& glitter on them) that tie in front ($7-20),
and lately, shrugs & short bolero style sweater
tops. Though I haven't bought any, there's also lots
of jangly metal & coin belts out there this season
that, in multiples, would look good around your hips
instead of a hip scarf. With the dresses, make sure
they fit well at the hips. If they are too loose,
they will not show your hip work if you intend to
wear them without a hip scarf (yes, some of them are
that fancy!). Also, I stick to the sleeveless dresses,
as the sleeves often bind when I raise my arms. You
can add a shrug or make simple gauntlets if you don't
like the bare arm look.
Ready for something fancy? While the Internet
is a great place to look at costumes & see prices,
I would hesitate to buy anything that you can not
see or try on. Many of the new costumes on the internet
that are low priced *are* too good to be true- they
are tourist quality sets that may not stand up to
much use and will more than likely not fit well. Larger
local dance events and seminars often have attending
vendors selling new costumes made in Turkey and Egypt,
and they will be more than happy to help you try them
on or advise you about their costumes. Also, there
are always local dancers selling their used costumes.
When you are ready to look for a costume, start by
asking other dancers you know (especially if you think
you are close in size) if they are selling any. You
may turn up a bargain!
A good first purchase might be a bra/ belt set in
either your most flattering color, or in gold or silver,
which will match most colors of skirts and other costume
pieces. Once you have a bedlah (arabic for "suit,"
and how bra/belt sets are most often referred to),
you can look like you are wearing a different costume
simply by changing from, say, a circle skirt with
a complementary shrug, to a straight skirt with gauntlets.
If you are not comfortable exposing your midriff,
midriff covers are available as well, in beige, tan,
black , and even colors, stretch mesh.
General costume advice: When you
dress in the morning, I'm sure you try to look your
best, and you may even have a particular style that
you think fits you best, so it is of course logical
to apply the same principles to picking out a costume.
However, something happens when we are in the presence
of glitter and sequins - even people who are never
slaves to fashion suddenly seem to lose their judgment!
So at this point, I should warn you, costumes can
be an addiction unto themselves! That said, a few
words of advice:
Pick a family of related colors that are flattering
to you, and acquire pieces in that color family- that
way after collecting various pieces you can mix &
match for variety.
Watch other dancers and notice how certain styles
look better on certain body types. Whatever your body
type, there is a style that will flatter you. Ignore
current fashion trends, and develop your own style
based on which styles and colors flatter you most.
You'll be glad you did this when you see the pictures/
videos.
Try to resist impulse buys. Try the items on, and
especially if they don't fit, *think twice* before
buying. Bras especially are hard to fit, no matter
how good a seamstress you are, so unless the alterations
are very minor or you're a super seamstress/tailor
and you are *sure* you can handle it, don't buy it
even if it is the perfect color, etc. It is very distracting
to watch a dancer in an ill fitting costume.
Unless you make it yourself, nearly every costume
needs some kind of alteration to have it fit properly.
Learn how to do some basic alterations, or look for
someone who can help you with this. Even the off the
rack evening gowns I buy usually need at least hemming
(I don't wear heels), and I often add a wider strap
to the spaghetti strap dresses (no need for an accident
while dancing), and maybe even a whole bra, for better
support. Even the professional costumes, if they fit
properly, need to have all the hooks resewn tightly
(they attach them with one or two stitches assuming
they will be altered.) At the very least, you need
to make sure that bra hooks are secure, belts will
stay put (I usually add additional safety hooks),
dresses won't ride up, earrings are not so big that
they whap you in the face on that fast turn, etc,
etc.
Check the quality of your purchase(s) very carefully.
Historically, the best beading is done in Egypt (although
there are now exceptions to this). Beading done in
China, India, and other parts of the Far East, can
not always stand up to the tough use lots of hipwork,
so look carefully at the products you intend to buy
for sturdiness. Also, sometimes the beading is decent
but it is done on fabric that is less than strong
enough.
When your buy/ design/ put together your costume,
make sure it enhances you and your dance. If the costume
upstages you, or "wears" you instead of
you wearing it, the audience won't notice much of
your dance cause they'll be so busy looking at your
costume.
If you are handy with a sewing machine, there are
web sites where patterns for circle skirts and harem
pants, for example, can be downloaded. Both are easy
to make, and you will be able to choose the color
& fabric you like, as opposed to just having to
choose what's available.
Take your costume for at least one test drive (rehearse
your chosen piece in it) well before the performance
date. Some of the most interesting (for the audience)
and upsetting (for the dancer) things have occurred
when the dancer has failed to check the costume out
in advance (including the $800 ones!).
Pick shoes appropriate to your costume. Grecian sandals
don't look that great with the elegant evening gown
& gauntlet look. Bare feet looks great with a
simple, less glitzy costume, but dancing in bare feet
risks your stepping on unwanted detritus on the floor
(in a restaurant that could be shards of glass, another
dancer's glass beads, bits of food, dirt tracked in
from out doors,) so it is better to wear shoes of
some kind. Now is also a good time to make the rounds
of the shoe stores for glittery slippers on sale after
the winter holidays. Just make sure you can dance
in them.
Once you have nice costume pieces, take good care
of them. Beaded costume pieces may not be washable,
so make sure you hang them up to air out the minute
you get home. Also do not store pieces with sequins
in closed plastic bags, as, for some reason, the color
on the sequins may deteriorate. My favorite storage
bags are old cotton pillowcases.
Now, remember, don't get so caught up in the costume
frenzy that you forget to practice your dancing. No
matter how glitzy, expensive, fabulous, gorgeous your
costume, the audience is interested in seeing your
dance and is not there for a fashion show. A beautifully
danced piece in street clothes will be a greater pleasure
to watch than a dancer unrehearsed and ill at ease
in a million dollar costume. |